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Item Behind the scenes: The editor's experience(University of the Western Cape, 2018) Snyders, MarkItem Crossroads Series(University of the Western Cape, 2019) Benson, KoniItem The swimming lesson(University of the Western Cape, 2019) Moolman, KobusItem Olifantland(University of the Western Cape, 2019) Handspring Puppet companyItem The art of healing: A portrait of Lizette Chirrime(University of the Western Cape, 2019) Assubuji, RuiItem Liminal(University of the Western Cape, 2019) Kota, RezaItem I see you(University of the Western Cape, 2019) MongiwekhayaItem Middle Passage(University of the Western Cape, 2019) Amoros, Luis GimenezItem Athlone in mind(University of the Western Cape, 2019) Grunebaum, Heidi; Campbell, Kurt; Lalu, PremeshItem Extracts from a dispensable life(University of the Western Cape, 2019) Moolman, KobusItem Like father, like son(University of the Western Cape, 2019) Moolman, KobusItem Item Warona(University of the Western Cape, 2019) Ukwanda Puppet CompanyThe play sketches her life in the township, which is centred on a small social community around a local butchery. Warona has a friendship with the son of the butcher, a young man who deals in drugs. Warona becomes involved in experimental drug taking, and as a result, she watches her dreams disappear.Item The woman of the stone sea(University of the Western Cape, 2020) van der Merwe, MegThe Woman of the Stone Sea seeks to reinvent the archetypal Western literary trope of fisherman and mermaid, through my Coloured 'kreef' fisherman protagonist, Hendrik, and the mamlambo he finds washed up on a beach. Set within the Coloured fishing community of an unnamed West Coast fishing village, the story uses myth to expose our turbulent racial present and past whilst at the same time pushing the boundaries of magic realism within the South African literary canon. Indeed, for the majority of South Africa's indigeneous populations, the boundaries between what the post-Enlightenment Western world might call the 'real world' and the supposedly fictitious world of spirit and the supernatural, are less clear; less dogmatically defined and less absolute. Woman seeks to explore this through its form and magic real(ism) approach. At the same time it seeks to give voice to the Coloured fishing communities which have largely been excluded from the South African literary canon.Item Getting the Most out of HTC with Workflows(Universty of the Western Cape, 2018) Van Heusden, Peter; Koch, ChristinaItem Airborne transmission: How much do we actually know about Covid-19?(University of the Western Cape, 2020) Fielding, Burtram C.Item Building portable pipelines for reproducible scientific workflows: The H3ABionet Pipelines Project on E n(Universty of the Western Cape, 2018) Hazelhurst, ScottItem Tips to survive isolation(University of the Western Cape, 2020) Fielding, Burtram C.Item Community building - Lessons from The Carpentries(Universty of the Western Cape, 2018) Ajilogba, CarolineItem "A Game Changer for Research? GDPR and Health Data" and "Data sharing & biobanks"(Universty of the Western Cape, 2018) Loideain, Nora Ni; Staunton, Ciara