Drag kings in Cape Town: The performance of gendered subjectivities online

dc.contributor.authorShaikjee, Mooniq
dc.date.accessioned2020-11-05T12:29:43Z
dc.date.available2020-11-05T12:29:43Z
dc.date.issued2015
dc.description.abstractThe last few decades have seen the development of a large body of scholarly work on drag queens and performances of femininity by men (see Barrett 1995, 1999). However, performances of masculinity by women have largely been overlooked. Research by scholars like Judith Halberstam (1997, 1998) on female masculinity and the drag king performer has attempted to address this imbalance, but the phenomenon has yet to receive any attention from sociolinguists.en_US
dc.identifier.citationShaikjee , M. (2015). Drag kings in Cape Town: The performance of gendered subjectivities online.Multilingual Margins , 2(2):38-54en_US
dc.identifier.urihttps://doi.org/10.14426/mm.v2i2.71
dc.identifier.urihttps://hdl.handle.net/10566/5359
dc.language.isoenen_US
dc.publisherUniversity of the Westen Capeen_US
dc.subjectEntextualisationen_US
dc.subjectDrag kingen_US
dc.subjectGenderen_US
dc.subjectSouth Africaen_US
dc.subjectMultimodalityen_US
dc.titleDrag kings in Cape Town: The performance of gendered subjectivities onlineen_US
dc.typeArticleen_US

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