Changing rains, changing voices: Representations of black women over five decades of South African theatre (1950 - 1996)
| dc.contributor.advisor | Flockemann, Miki | |
| dc.contributor.author | Mazibuko, Nokuthula | |
| dc.date.accessioned | 2023-06-20T07:46:06Z | |
| dc.date.accessioned | 2024-10-30T08:52:18Z | |
| dc.date.available | 2023-06-20T07:46:06Z | |
| dc.date.available | 2024-10-30T08:52:18Z | |
| dc.date.issued | 1997 | |
| dc.description | Magister Artium - MA | en_US |
| dc.description.abstract | Changing rains, changing voices: Representations of black women over five decades of South African theatre (1950 - 1996) The general aim of this research paper is to investigate/interrogate, tough analyses of four popular musicals, images of ideal womanhood put forward by South African popular theatre at various historical moments. I argue that these images have shifted from decade to decade (1950 - 1996), revealing the constructed and therefore changeable nature of unequal gender roles within society. My research will consist of textual and contextual analyses of the representation of women in the following popular musicals: King Kong ( 1959), Too Late ( 1975), Sarafina! ( 1987), and Marabi (1981/1995). The ideas of womanhood posited by the play texts will be examined vis-d-vis their "struggle narratives" (whose goal is liberation from racial and economic oppression). | en_US |
| dc.identifier.uri | https://hdl.handle.net/10566/16478 | |
| dc.language.iso | en | en_US |
| dc.publisher | University of the Western Cape | en_US |
| dc.rights.holder | University of the Western Cape | en_US |
| dc.subject | South African | en_US |
| dc.subject | Representation of women | en_US |
| dc.subject | Changeable nature | en_US |
| dc.title | Changing rains, changing voices: Representations of black women over five decades of South African theatre (1950 - 1996) | en_US |