Be a little careful: Women, violence, and performance in India
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Date
2019
Authors
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Journal ISSN
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Publisher
Cambridge University Press
Abstract
In this article Swati Arora analyzes a contemporary Indian feminist performance, Thoda Dhyaan Se (A Little Carefully, 2013), by framing it in the spatial ecosystem of the city of Delhi and exploring its engagement with feminist discourse and the national imaginary of India. It highlights the workings of the cultural economy of the city, which is defined by its spatial contours as well as the privileges of caste, class, sexuality, and ethnicity, and at the same time explores the heterogeneous nature of the country's feminist movement through an intersectional perspective. Swati Arora argues that the concerns raised by Thoda Dhyaan Se are limited to urban, middle-class, and upper-caste women and overlook the oppressive realities of women from non-urban, lower-class, and lower-caste backgrounds. With conversations around gender focused through campaigns like #MeToo and #TImesUp, it is important to contextualize the voices that are articulated and those that are excluded. Swati Arora is an Andrew W. Mellon postdoctoral fellow at the Centre for Humanities Research, University of the Western Cape.
Description
Keywords
Gender, Feminism, Violence, Economy, India
Citation
Arora, S. (2019). Be a little careful: Women, violence, and performance in India. New Theatre Quarterly, 35 (1) ,3-18. https://doi.org/10.1017/S0266464X1800057X