Digitizing photographic collections with special reference to the University of the Western Cape-Robben Island Museum Mayibuye photographic archive

Abstract

Under the previous apartheid system in South Africa, the history of black South Africans and the history of South Africa's liberation struggle, were marginalised and ignored. Information dealing with resistance to the apartheid system was banned, and possession of these literatures was punishable by law. In the post-apartheid system, much of this banned documents were returned to South Africa, from outside of it's borders, and has found it's home in archival institutions which have dedicated it's work to communicating South Africa's largely unwritten histories. The Robben Island Museum is one such institution. As a national museum, national monument and recently declared World Heritage Site, there is increasing pressure for the Robben Island Museum to develop and implement collection policies, which govern the way in which the museum and archival collections are accessed, to be able to give maximum protection to endangered collections, and to ensure that these are available for posterity. These policies are essentially restrictive, and within the context of an apartheid legacy which denied access to information, the museum is faced with the challenge of balancing the need for access with that of preserving the material in it's care.