Parodic imagination and resistant form in historical fiction: A study of Ann Harries' manly pursuits
dc.contributor.advisor | Merrington, Peter | |
dc.contributor.author | Bavasah, Tessa | |
dc.contributor.other | Dept. of English | |
dc.contributor.other | Faculty of Arts | |
dc.date.accessioned | 2013-10-11T09:17:07Z | |
dc.date.accessioned | 2024-10-30T08:52:17Z | |
dc.date.available | 2009/05/12 09:04 | |
dc.date.available | 2009/05/12 | |
dc.date.available | 2013-10-11T09:17:07Z | |
dc.date.available | 2024-10-30T08:52:17Z | |
dc.date.issued | 2007 | |
dc.description | Masters of Art | en_US |
dc.description.abstract | In this dissertation, the author examines the historical novel Manly pursuits (1999), by Ann Harries. The novel deals with the late nineteenth century in Oxford, England, and inparticular the year 1899 in Cape Town. The focus of the novel is on Cecil John Rhodes and his entourage, and their obsession with empire, which culminates in the South African war in 1900. Featured characters include Chamberlain, Jameson, Kipling, Oscar Wilde, Charles Dodgson, John Ruskin and Olive Schreiner. Harries novel is interpreted as showing resistance to the Victorian society which is the framework which is seen to developed the class and gender-based valued and imperialist thinking of Rhodes and his following. as such the novel is showing resstance to imperialist thinking, the Anglo-Boer war, apartheid and all the resulting legacies for South Africa. | en_US |
dc.description.country | South Africa | |
dc.identifier.uri | https://hdl.handle.net/10566/16473 | |
dc.language.iso | en | en_US |
dc.publisher | University of the Western Cape | en_US |
dc.rights.holder | University of the Western Cape | en_US |
dc.subject | Historical Fiction | en_US |
dc.subject | Fiction | en_US |
dc.title | Parodic imagination and resistant form in historical fiction: A study of Ann Harries' manly pursuits | en_US |
dc.type | Thesis | en_US |
Files
Original bundle
1 - 1 of 1