Negotiating coloured identity through encounters with performance

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dc.contributor.advisorFlockemann, M. Dr
dc.contributor.authorFransman, Gino
dc.contributor.otherDept. of English
dc.contributor.otherFaculty of Arts
dc.date.accessioned2013-05-15T09:40:54Z
dc.date.accessioned2024-10-30T08:52:09Z
dc.date.available2007/03/12 08:21
dc.date.available2007/04/13
dc.date.available2013-05-15T09:40:54Z
dc.date.available2024-10-30T08:52:09Z
dc.date.issued2005
dc.descriptionMagister Artium - MAen_US
dc.description.abstractIn this study the theatre as staged performance and as text was used as exploratory and discursive tools to investigate the negotiation of identities. The aim was to explore this theme by examining the responses to four popular Coloured identity-related staged performances; Marc Lottering's "Crash" and "From the Cape Flats with Love", as well as Petersen, Isaacs and Reisenhoffer's "Joe Barber" and "Suip". These works, both as performance and as text, was used to investigate the way stereotypical representations of Coloured identities are played with, subverted or negotiated in performance.en_US
dc.description.countrySouth Africa
dc.identifier.urihttps://hdl.handle.net/10566/16437
dc.language.isoenen_US
dc.publisherUniversity of the Western Capeen_US
dc.rights.holderUniversity of the Western Capeen_US
dc.subjectColored people (South Africa)en_US
dc.subjectEthnic identity
dc.subjectStereotypes (Psychology) in mass media
dc.titleNegotiating coloured identity through encounters with performanceen_US
dc.typeThesisen_US

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