A fragmented history: Visual sites of trauma in Zoë Wicomb's works of fiction

dc.contributor.advisorWittenberg, Hermann
dc.contributor.authorPetersen, Charlise Wall
dc.date.accessioned2025-06-24T13:45:31Z
dc.date.available2025-06-24T13:45:31Z
dc.date.issued2024
dc.description.abstractWords cannot express my gratitude towards my supervisor, Dr Hermann Wittenberg, whose patience, words of encouragement, and outstanding feedback challenged my growth, and gave me the confidence to complete this thesis. I am also grateful for The University of the Western Cape which has always been a welcoming space to conduct my research, and for the Arts Faculty and English Department staff members whose professionalism and passion for learning helped to shape the academic I am today. I am indebted to the generosity of the A.W. Mellon Foundation which allowed me academic freedom, and without which I would not have accomplished this goal. I also wish to offer sincere thanks to my supportive friends and family, both nationally and internationally. Their prayers, texts and words of encouragement truly kept me going. In addition, I would be remiss not to offer a special word of thanks to my amazing mother who is unwavering in kindness and love, and whose support and enthusiasm carried me through the tough times. I hope this achievement makes her proud. I am also grateful for the support of my wonderful husband. He kept me smiling and motivated, carrying the load with me. I am thankful for his loving patience which made this task less daunting. Most chiefly, I owe this achievement to my God whose faithfulness I lean on, and who gave me this passion for academia and writing. All glory belongs to Him.
dc.identifier.urihttps://hdl.handle.net/10566/20550
dc.language.isoen
dc.publisherUniversity of the Western Cape
dc.subjectEkphrasis
dc.subjectZoë Wicomb
dc.subjectIntermediality
dc.subjectVisual Media
dc.titleA fragmented history: Visual sites of trauma in Zoë Wicomb's works of fiction
dc.typeThesis

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