Photography and the spectacle of asọ ebì in Lagos, 1960-2010
| dc.contributor.advisor | Hayes, Patricia | |
| dc.contributor.author | Nwafor, Okechukwu Charles | |
| dc.date.accessioned | 2014-11-25T08:05:16Z | |
| dc.date.accessioned | 2024-03-26T06:59:22Z | |
| dc.date.available | 2014-11-25T08:05:16Z | |
| dc.date.available | 2024-03-26T06:59:22Z | |
| dc.date.issued | 2011 | |
| dc.description | Philosophiae Doctor - PhD | en_US |
| dc.description.abstract | Asọ in Yoruba means cloth while ebi in Yoruba means family. Literally, therefore, asọ ebì means ‘family cloth’. This meaning of asọ ebì is transcended in common usage where it simply means uniforms worn by a group of family members or friends as a solidarity dress to a social ceremony such as wedding, party, funeral, among others. This research charts the political and visual economies of asọ ebì in urban Lagos from 1960 to 2010. Under political economy I address the politics of asọ ebì dress in Lagos: the contestations surrounding the use of asọ ebì among friends, family members, organizations, among others. Under visual economy I engage the role of photography and other visual cultural practices in the practice of asọ ebì. From the 1960s asọ ebì began to be redefined in line with the cultural and socio-economic changes that came with late global capitalism. Within asọ ebì practice in the city of Lagos meanings of friendship, solidarity, camaraderie and wealth have undergone radical transformation as more people migrate to the city after Nigeria’s independence. From the 1970s through the 1980s, individuals were compelled by the economic conditions to adopt new modes of asọ ebì practice. For example new types of textile materials used for asọ ebì expanded to include cheaper textiles imported from China and elsewhere. Instead of offering aso ebi free, individuals sold it to their friends and within such transactions, politics of exclusion and inclusion ensued. | en_US |
| dc.identifier.uri | https://hdl.handle.net/10566/9797 | |
| dc.language.iso | en | en_US |
| dc.publisher | University of Western Cape | en_US |
| dc.rights.holder | University of Western Cape | en_US |
| dc.subject | EBI | en_US |
| dc.subject | Digital photography | en_US |
| dc.subject | Transformations | en_US |
| dc.subject | West Africa | en_US |
| dc.subject | Yoruba | en_US |
| dc.subject | Social significance | en_US |
| dc.title | Photography and the spectacle of asọ ebì in Lagos, 1960-2010 | en_US |