Uncontained and the Constraints of Historicism as Method: A reply to Mario Pissarra

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dc.contributor.authorGrunebaum, Heidi
dc.date.accessioned13/06/2017 09:29
dc.date.available13/06/2017 09:29
dc.date.issued2013
dc.description.abstractMario Pissarra�s rigorous and considered critical review of Uncontained: Opening the Community Arts Project archive (2012) marks a significant contribution to starting a discussion that the book and exhibition aimed to provoke. That an interlocutor of his authority has undertaken such an attentive and thoughtful critique does the publication a great service and opens up pathways for further conversation and work on the Community Arts Project (CAP) art collection at the University of the Western Cape (UWC). I would like to reciprocate in a similar vein and take up Third Text Africa�s invitation to respond to Pissarra�s review by thinking about the merits and limits of his critique.en_US
dc.description.accreditationDepartment of HE and Training approved list
dc.identifier.citationGrunebaum, H. (2013). Uncontained and the Constraints of Historicism as Method: A reply to Mario Pissarra. Third Text Africa, 3 (1): 86-92en_US
dc.identifier.issn0952-8822
dc.identifier.urihttps://hdl.handle.net/10566/2981
dc.language.isoenen_US
dc.publisherAfrica South Art Initiative (ASAI)en_US
dc.rightsPublisher retains copyright. Authors may archive the published version in their Institutional Repository.
dc.subjectUncontaineden_US
dc.subjectConstraintsen_US
dc.subjectHistoricismen_US
dc.subjectMario Pissarraen_US
dc.titleUncontained and the Constraints of Historicism as Method: A reply to Mario Pissarraen_US
dc.typeArticleen_US

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