Eros and Self-Realization: Zora Neale Hurston�s Janie and Flora Nwapa�s Efuru
| dc.contributor.author | Moolla, Fiona. F | |
| dc.date.accessioned | 2022-02-14T10:14:13Z | |
| dc.date.available | 2022-02-14T10:14:13Z | |
| dc.date.issued | 2020 | |
| dc.description.abstract | A comparative analysis of Zora Neale Hurston�s Teir Eyes Were Watching God and Flora Nwapa�s Efuru suggests the importance of romantic love to the self actualization of the heroines of these novels, whose authors share similar biog raphies, concerns, and literary positions in the spheres of African American and African literatures respectively. For Hurston, eros paradoxically represents the ultimately unfulfilled possibility for self-realization that finally may be achieved only in and through the self. By contrast, for Nwapa, the focus shifts from the centrality of romantic love to the complex and contradictory place of childbear ing in female self-realization. However, finally, self-actualization is achieved with other women in identification with Mammywater, the powerful Igbo lake goddess | en_US |
| dc.identifier.citation | Moolla, F. F. (2020). Eros and Self-Realization: Zora Neale Hurston�s Janie and Flora Nwapa�s Efuru . Utopian Studies, 26(1), 29�48. https://doi.org/10.5325/langhughrevi.26.1.0029 | en_US |
| dc.identifier.issn | 1045-991X | |
| dc.identifier.uri | doi: 10.5325/langhughrevi.26.1.0029 | |
| dc.identifier.uri | https://hdl.handle.net/10566/7246 | |
| dc.language.iso | en | en_US |
| dc.publisher | The Pennsylvania State University | en_US |
| dc.subject | Their Eyes Were Watching God | en_US |
| dc.subject | Efuru | en_US |
| dc.subject | Romantic love | en_US |
| dc.subject | Female self-realization | en_US |
| dc.subject | African American literature | en_US |
| dc.subject | African literature | en_US |
| dc.title | Eros and Self-Realization: Zora Neale Hurston�s Janie and Flora Nwapa�s Efuru | en_US |
| dc.type | Article | en_US |