Little perpetrators, witness-bearers and the young and the brave: towards a post-transitional aesthetics

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dc.contributor.authorFlockemann, Miki
dc.date.accessioned22/05/2017 16:11
dc.date.available22/05/2017 16:11
dc.date.issued2010
dc.description.abstractThe aesthetic choices characterizing work produced during the transition to democracy have been well documented. We are currently well into the second decade after the 1994 election - what then of the period referred to as the 'second transition'? Have trends consolidated, hardened, shifted, or have new 'post-transitional' trends emerged? What can be expected of the future 'born free' generation of writers and readers, since terms such as restlessness, dissonance and disjuncture are frequently used to describe the experience of constitutional democracy as it co-exists with the emerging new apartheid of poverty? Furthermore, what value is there in identifying post-transitional aesthetic trends?en_US
dc.description.accreditationDHETen_US
dc.identifier.citationFlockemann, M. (2010). Little perpetrators, witness-bearers and the young and the brave: towards a post-transitional aesthetics. English Studies in Africa, 53(1): 21-34en_US
dc.identifier.issn0013-8398
dc.identifier.urihttps://hdl.handle.net/10566/2863
dc.identifier.urihttp://dx.doi.org/10.1080/00138398.2010.488333
dc.language.isoenen_US
dc.privacy.showsubmitterFALSE
dc.publisherTaylor & Francisen_US
dc.rightsThis is the author-version of the articled published online at: http://dx.doi.org/10.1080/00138398.2010.488333
dc.status.ispeerreviewedTRUE
dc.subjectPost-transitionalen_US
dc.subjectAestheticsen_US
dc.subjectConstitutional deomcracyen_US
dc.subjectApartheiden_US
dc.titleLittle perpetrators, witness-bearers and the young and the brave: towards a post-transitional aestheticsen_US
dc.typeArticleen_US

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