The girl with the red flower
dc.contributor.advisor | Moolla, F.F. | |
dc.contributor.author | Misbach, Abdul Waghied | |
dc.date.accessioned | 2018-04-06T08:19:04Z | |
dc.date.accessioned | 2024-10-30T08:32:24Z | |
dc.date.available | 2018-04-06T08:19:04Z | |
dc.date.available | 2024-10-30T08:32:24Z | |
dc.date.issued | 2017 | |
dc.description | Magister Artium - MA (English) | |
dc.description.abstract | For a woman of her age, thirty-seven, freshly divorced, she has, to her mind, not solved the problem of her sex very well. So now her work in the escort business all those years ago will be used against her. This warning is in a note from her lawyers. She is sitting cross-legged, trying to warm up, in a book-sized patch of morning sunlight on her bunk, in a fetid cell meant for five but with thirty crammed in. She has earphones in, with twelve bass-heavy tunes on a continuous loop. It is hard for her sometimes to drum out the hum of the lovemaking, man-hating, babyyearning and fatal stabbings of the women around her - all day long. It is just like being free in the real world outside. The letter is typewritten, but has a handwritten salutation, "Dear Soraya," as if to convince her of its authenticity; and her existence. | |
dc.identifier.uri | https://hdl.handle.net/10566/16415 | |
dc.language.iso | en | |
dc.publisher | University of the Western Cape | |
dc.rights.holder | University of the Western Cape | |
dc.source.uri | Please note that this creative writing thesis contains abusive language and representations of violence and sex justified within a literary and artistic context. Some readers may find this offensive. | |
dc.subject | Creative writing | |
dc.title | The girl with the red flower |
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