Magister Artium - MA (English)
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Browsing by Subject "Aesthetics"
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Item The postcolonial aesthetics of beauty, nature and form: Reading the glass palace, the hungry tide and the shadow lines by Amitav Ghosh(University of Western Cape, 2020) Singh, Nehna Daya; Moolla, F. FionaOne can think of an aesthetic as one’s artistic mode and purpose. The aesthetic is differently foregrounded in each of Ghosh’s three selected novels: in the first novel studied, aesthetic concerns are linked with beauty. Female beauty in particular, is the primary aesthetic focus in The Glass Palace since it is beauty that inspires love and appreciation. In the second novel, The Hungry Tide, the aesthetic explores techniques of writing that encompass environmental questions. This novel shows nature as its primary aesthetic since it is through the encounter with nature that its aesthetic is realised and an appreciation for all life forms are established.Item Under the Hibiscus: An eco-critical reading of Chimamanda Ngozi Adichie’s postcolonial novels(University of the Western Cape, 2019) Khumalo, Sibongile; Taylor, Janeliterature, music and culture”. As this statement suggests, ecocriticism is concerned with more than the representation of environmental questions in literature. It provides a way of examining the intersections and interconnections between the natural and human worlds. An ecocritical approach can examine the ways in which these interconnections are produced aesthetically in literature of different kinds, and not just literature that is overtly about the environment. I will argue in this thesis that the novels of one of the rising stars of African and world literature, Chimamanda Ngozi Adichie, are underpinned by an ecological aesthetic in this broad sense, and can, therefore, be read from an ecocritical perspective in the manner implied by Morton. This thesis will show that Adichie’s preoccupation with intersectionalities, interconnections and relationships lend her narratives to an eco-critical inquiry of this kind.