Magister Artium - MA (Creative writing)

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https://hdl.handle.net/10566/16394

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Browsing by Subject "Cape Flats"

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    In-between: a collection of poems of loss and memory
    (University of the Western Cape, 2022) Williams, Justin; Moolman, Kobus
    My mini-thesis in Creative Writing aims to explore memory and childhood through the lens of spatial and temporal consciousness. The vehicle for navigating these memories, whether individual or collective, real or surreal, is a collection of original poems based in and around the Cape Flats. Childhood specifically is the central theme of these poems, as it provides the basis for all the related memories in the collection. To me memory is like a map, dotted by landmarks in time. I will explore these landmarks in the poems to discover if there are patterns in the way that memories are made and stored. I will also explore changes in the physical environment – be these ecological or to do with human development – and how these changes intersect with memory. My aim in the collection is to channel the voice of a central character – a young boy – who is trying to find his place against the backdrop of the Cape Flats setting, while contending with all its challenges. My creative writing mini-thesis will also be accompanied by a reflexive essay that discusses the concepts of memory and spatial and temporal awareness and how these are manifest within my collection of poems.
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    Of flowers and tears
    (University of Western Cape, 2018) Rodkin, Hayley Amanda; Van Der Merwe, Meg
    The collection of ten short stories, Of Flowers and Tears, aims to capture the events that have shaped my life, impacted on my community. It hopefully gives a voice to topics such as mental trauma, sibling strife, abortion, drug use and abuse, suicide, as well as political and social activism. Whilst none of the topics are new, the collection could potentially add to a growing genre of short story fiction by local authors which examine issues relating to trauma, loss, violence and the acknowledgement of identities. As South Africans, we carry many metaphoric scars (including psychological, socio-economic, sexual) as well as literal ones, which act as testimonies to our violent and frequently traumatic past and present. Even though most of the material used in my collection forms part of my personal memory bank and will be interpreted in a wholly fictional way, I propose that such a collection speaks to pertinent, present and pervasive realities.