Magister Artium - MA (Linguistics, Language and Communication)

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https://hdl.handle.net/10566/9826

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Browsing by Subject "Afrikaans"

Now showing 1 - 5 of 5
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    Exercising linguistic citizenship through Coloured narratives
    (University of the Western Cape, 2022) Van Niekerk, Lauren; Bock, Zannie; Stroud, Christopher
    This project explores the negotiation of shifting racial identities within a transforming post-Apartheid context, in particular, the negotiation of what it means to be �coloured�. Twenty-seven years into South Africa�s democracy, the power and influence that race and language hold over many South Africans� are still prominent within this country. Because race is historically intersected with language and social class, language is used as an instrument of racialization. Therefore, this project seeks to understand how coloured racial and linguistic identities, which are steeped in complexity and ambiguity, are navigated by participants. It will focus, in particular, on how participants engage with Afrikaans and Kaaps to navigate these complexities and signal alignments and ambivalences. Additionally, this research aims to explore the potential of multilingualism to be a dynamic factor in the inclusive transformation of historical positions. Its central aim is to contribute to the notion of Linguistic Citizenship (Stroud, 2001, 2015, 2018, 2021) by capturing how linguistic encounters and interactions can go beyond the defined subjectivities of race and ethnicity, and how people use language to challenge and subvert historical and more contemporary identities. The data draws on focus group discussions with UWC students and the narratives produced within these spaces. It will draw on contemporary scholarship in Sociolinguistics, Discourse and Narrative Analysis and Linguistic Citizenship to explore how participants perform acts of Linguistic Citizenship to showcase their agency and voice as language and narratives become a site where identity juxtapositions are laid bare, and participants and their (racial and linguistic) identities are reimagined.
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    Imagining multilingual spaces through scripted 'codeswitching' in multilingual performance: a case study of '7de Laan'
    (University of the Western Cape, 2010) Bhatch, Michael Shakib; Bock, Zannie; Dept. of Linguistics, Language and Communication; Faculty of Arts
    This thesis examines how multilingual spaces in South Africa are imagined and reconstructed through the use of scripted codeswitching in 7de Laan. It explores how the socio-political discourses and other ideologies from the broader South African context shape and influence the ways in which the soap reconstructs multilingual spaces and the identities that exist within these spaces through language and language practices. In the literature presented in this study I explore various theories and case studies that examine Afrikaans and its indexicality in our contemporary society, the conventions of soap opera in representing reality to society, the role of codeswitching in multilingual mass communication, the policies and ideologies that govern post apartheid television and finally the link between ideology, the media, language and imagined identities.. These five overarching themes often overlap throughout this thesis. My investigation of the main questions set in this thesis is based on a triangulated analysis of (a) a five episode transcript of the soap, (b) solicited viewer perceptions gleaned from questionnaires and (c) unsolicited social media commentaries. This analysis is framed by a poststructuralist critical analysis with a specific focus on how social practices and contemporary ideologies manifest in the discourse of the soap. This approach views discourse as the juncture where identity, stereotypes and power are negotiated, enforced, imagined and challenged. In this thesis I argue that the conspicuous absence of indigenous African languages and the use of standard white Afrikaans as the lingua franca in the soap creates an unrealistic utopian portrayal of the new South Africa that naturalises white Afrikaans culture and marginalises other indigenous cultures and languages. I argue that the soap puts middle class white Afrikaners at the epicentre of South African society thus enforcing the idea that non-whites still need to conform to white Afrikaans standards and norms at the expense of their own culture and languages despite the inception of democracy. The soap offers no depictions of resistance to this dominant white Afrikaans culture, thus misleadingly portraying it as the uncontested dominant culture of the new South Africa.
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    Language attitudes, medium of instruction and academic performance: a case study of Afrikaans mother tongue learners in Mitchell's Plain
    (University of the Western Cape, 2004) Hendricks, Jessica; Kerfoot, Caroline; Dept. of Linguistics, Language and Communication; Faculty of Arts
    The purpose of this study was to determine the implication for learning for learners whose home language is different from the medium of instruction at school.The study is focused on a group of Afrikaans learners for whom English is not a foreign language. Rather, English is a language that they are in contact with on a daily level through the media, their peers and in the classroom. The study looked at why these learners find themselves in English classes when the language policy of the country makes provision for their specific home language in the classroom. It also tried to determine whether these learners experience problems in their learning as they shift from Afrikaans as a home language to an English medium of instruction in class.
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    The language of forms: A discourse analysis of municipal application forms.
    (University of the Western Cape, 2019) Geldenhuys, Natasjia; Dyers, Charlyn
    This thesis focuses on the genre of municipal documents (application forms) and the variety of written and visual languages that make up their corpus to reveal the various lexical semantics used in the forms as communication tool between individuals and the larger organisations. It was important to review not only how other researchers have dissected such documents, but also what they have used to study their corpus. The thesis also provides a thorough overview of literature pertaining to forms from the municipal and governmental sector as it relates to social semiotics, genre, corporate identity, branding and multimodality. As there was not enough empirical data or research from the African or non-European perspective, a wider literature review was needed to enable me to use a number of complimentary models that could fit the study area. Drawing on a theoretical framework based on the fields of Social Semiotics (Kress 2010; 2014), Applied Linguistics (Brumfit 1996) and Visual Communication (Tam 2008) as well as analytical tools like the genre and multimodality model (GeM), as described in Bateman (2008) and the grammar of visual design (Kress and Van Leeuwen, 2006), branding and language ideology, the study offers an analysis of the language of particular forms used widely by the City of Cape Town (CCT). The language of forms in essence is as unique as a dialogue held between two people to obtain information. Misunderstanding and communication can easily occur if the questions and sections are not formulated correctly. Although both the textual and visual modes were investigated, the aim was to uncover the corpora used on forms with which a basic set of standard words, phrases and sentences could be designed. If the language of forms in a particular organisation like the CCT can be standardised, the amount of effort on the language practitioners will decrease, and the textual components can be made available in all three of the official languages (Afrikaans, isiXhosa and English) in as simple a language structure as possible.
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    A systemic functional analysis of two Truth and Reconciliation Commission testimonies: transitivity and genre
    (University of the Western Cape, 2011) Hattingh, Nathalie; Bock, Zannie; Dept. of Linguistics, Language and Communication; Faculty of Arts
    This thesis examines how two narrators construe their experiences of the same events differently through the linguistic choices that they make, through a systemic functional analysis, as well as a genre analysis of two testimonies. The Human Rights Violations (HRV) hearings of the Truth and Reconciliation Commission (TRC) allowed testifiers to tell stories of their experiences during apartheid. The selected testimonies refer to the events that led up to the arrest and eventual torture of Faried Muhammad Ferhelst, as told by himself and his mother, Minnie Louisa Ferhelst. Theframeworks used to analyse the testimonies are drawn from the transitivity and genre theories of Systemic Functional Linguistics. A clausal analysis of the transitivity patterns is used to compare the ways in which the testifiers construct their identities and roles when recounting their stories. The transitivity analysis of both testimonies shows that both Mrs Ferhelst and Faried Ferhelst construe themselves as the Affected participant through Material, Mental and Verbal clauses, and construe the police as the Causers, mostly through Material clauses. A genre analysis revealed that both testimonies took the form of narratives, in particular the Recount, a typical genre for relating narratives of personal experience. This research project also explores how the original Afrikaans versions of the testimonies differ from the translated English versions, available online on the TRC website. The Afrikaans versions were transcribed by the researcher from audio-visual records. A transitivity analysis reveals that the interpretation of the Afrikaans testimonies is fairly accurate, with a minimum loss of meaning. Thus in the case of these testimonies, the actual online record in English is an accurate reflection of their stories.