Prof. Patricia Hayes (History)

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https://hdl.handle.net/10566/2399

Prof. Patricia Hayes

Position: Professor Department: Department of History Faculty: Faculty of Arts Qualifications: PhD (Cambridge) My publications in this repository More about me: here and here Tel: 021 959 3275 Fax: 021 959 3598 Email: phayes@uwc.ac.za

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Browsing by Subject "Kok Nam"

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    The political sublime: reading Kok Nam, Mozambican photographer (1939-2012)
    (University of the Western Cape, 2013) Assubuji, Rui; Hayes, Patricia
    Kok Nam began his photographic career at Studio Focus in Louren�o Marques in the 1950s, graduated to the newspaper Not�cias and joined Tempo magazine in the early 1970s. Most recently he worked at the journal Savana as a photojournalist and later director. This article opens with an account of the relationship that developed between Kok Nam and the late President Samora Machel, starting with the photo-grapher�s portrait of Machel in Nachingwea in November 1974 before Independence. It traces an arc through the Popular Republic (1976-1990) from political revelation at its inception to the difficult years of civil war and Machel�s death in the plane crash at Mbuzini in 1986. The article then engages in a series of photo-commentaries across a selection of Kok Nam�s photographs, several published in their time but others selected retrospectively by Kok Nam for later exhibition and circulation. The approach taken is that of �association�, exploring the connections between the photographs, their histories both then and in the intervening years and other artifacts and mediums of cultural expression that deal with similar issues or signifiers picked up in the images. Among the signifiers picked up in the article are soldiers, pigs, feet, empty villages, washing, doves and bridges. The central argument is that Kok Nam participated with many others in a kind of collective hallucination during the Popular Republic, caught up in the �political sublime�. Later Kok Nam shows many signs of a photographic �second thinking� that sought out a more delicate sublime in his own archive.