Browsing by Author "de Almeida, Fernanda Pinto"

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    A statement on the ongoing genocide in Gaza
    (Oxford University Press, 2025) de Almeida, Fernanda Pinto; Aouragh, Miriyam; Chakravartty, Paula
    Communication, Culture and Critique has been the leading venue for critical approaches to communication and media studies. This issue marks the first guided by a newly formed Editorial Collective, which seeks to rekindle the politically engaged scholarship epitomized by the Centre for Contemporary Cultural Studies at Birmingham University in the 1970s, then under the leadership of Stuart Hall. As we assume our responsibility to guide this journal and impact our fields, we would be remiss to ignore the glaring epicenter of the prevailing global order's efforts to reproduce itself: the State of Israel's ongoing campaign of genocide against Palestinians in Gaza and its gradual expansion into the West Bank. As scholars of communication, media, culture, and technology, we cannot remain silent nor neutral in the face of livestreamed genocidal violence. We invite scholars of conscience to join us in calls for ceasefire and divestment against Israeli apartheid.
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    A �poor man�s pleasure�: The cinema house and its publics in twentieth century South Africa
    (Taylor and Francis Group, 2023) de Almeida, Fernanda Pinto
    What do cinema houses have to tell us about the experience ofcollective leisure in early twentieth-century South Africa? Thisarticle considers how the cinema house points to unprecedentedsocial conditions that allowed the emergence of new publics.Drawing on scholarship on the development of cinema in SouthAfrica, the article considers how the historical transformationsthrough which the cinema has passed since the 1910s suggestattempts to domesticate the space of projection of the cinema aswell as the formation of new cinema audiences. Diverging fromreadings of the cinema in South Africa that focus onfilm, thearticle considers how the cinema house is inscribed in thisscholarship as an evocative cipher of incipient publics and as ametaphor for the containment of a new public sphere during theperiods of segregation and Apartheid.