Browsing by Author "Harris, Brent"

Now showing 1 - 2 of 2
  • Thumbnail Image
    Item
    Journeys from the horizons of history: Text, trial and tales in the construction of narratives of pain
    (Southern African Literature and Culture Centre, UKZN) Lalu, Premesh; Harris, Brent
    This article draws inspiration from Jauss's theorisation of the concepts of horizon, reception, and construction. The problem we confront relates to the way we receive, interpret, and apply texts without cognisance of the ways our horizons advance, limit, and intersect with a multiplicity of meanings that might not have been foreseen by the text's contemporaries. What are the distances between public encounters with the past on the one hand, and on the other the testimonies heard by the Commission or readings of trauma offered by social scientists and historians? In this paper we wish to offer a tentative response to this question by reflecting on various readings of the trial of Andrew Zondo and the public testimony of Lephina Zondo at the TRC. We are interested in the ways in which truths, and histories, are produced "by virtue of multiple forms of constraint".
  • Thumbnail Image
    Item
    'Unearthing' the 'essential' past: The making of a public 'national' memory through the Truth and Reconciliation Commission, 1994-1998
    (University of the Western Cape, 1998) Harris, Brent
    At a lecture presented in London on June 5, 1994, Jacques Derrida discussed the complexities of the meaning of the archive. He described the duality in meaning of the word archive-in terms of temporality and spatiality-as a place of "commencement" and as the place "where men and gods command" or the ''place from which order is given". As the place of commencement, "there where things commence" the archive is more ambivalent. It houses, what could best be described as 'traces" of particular objects of the past in the form of documents. These documents were produced in the past and are subjective constructions with their own histories of negotiations and contestations. As such, the archive represents the end of instability, or the outcome of negotiations and contestations over knowledge. Yet as sources of evidence the archive also represents the moment of ending instability, of creating stasis and the fixing of meaning and knowledge.