Philosophiae Doctor - PhD (Anthropology/Sociology)

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https://hdl.handle.net/10566/9287

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Browsing by Author "Becker, Heike"

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    The formation of 'national culture' in post- apartheid Namibia: a focus on state sponsored cultural festivals in Kavango region
    (University of the Western Cape, 2011) Akuupa, Michael Uusiku; Becker, Heike
    This dissertation investigates colonial and postcolonial practices of cultural representations in Namibia. The state sponsored Annual National Culture Festival in Namibia was studied with a specific focus on the Kavango Region in northeastern Namibia. I was particularly interested in how cultural representations are produced by the nation-state and local people in a post-colonial African context of nation-building and national reconciliation, by bringing visions of cosmopolitanism and modernity into critical dialogue with its colonial past. During the apartheid era, the South African administration encouraged the inhabitants of its Native Homelands to engage in cultural activities aimed at preserving their traditional cultures and fostering a sense of distinct cultural identity among each of Namibia officially recognized ;ethnic groups. This policy was in line with the logic of South African colonial apartheid rule of Namibia, which relied upon the emphasis of ethnic differences, in order to support the idea that the territory was inhabited by a collection of requiring a central white government to oversee their development. The colonial administration resorted to concepts of traditional and cultural heritage in order to construct Africans as members of distinct, bounded communities attached to specific localities or homelands. My central argument is that since Namibian independence in 1990, the postcolonial nation-state has placed emphasis on cultural pride in new ways, and identifying characteristics of Namibian-nessa. This has led to the institution of cultural festivals, which have since 1995 held all over the country with an expressed emphasis on the notion of Unity in Diversity. These cultural festivals are largely performances and cultural competitions that range from lang-arm dance, and traditional dances, displays of traditional foodstuffs and dramatized representations. The ethnographic study shows that while the performers represent diversity through dance and other forms of cultural exhibition, the importance of belonging to the nation and a larger constituency is simultaneously highlighted. However, as the study demonstrates, the festivals are also spaces where local populations engage in negotiations with the nation-state and contest regional forms of belonging. The study shows how a practice which was considered to be a colonial representation of the other has been reinvented with new meanings in postcolonial Namibia. The study demonstrates through an analysis of cultural representations such as song, dances and drama that the festival creates a space in which social interaction takes place between participants, spectators and officials who organize the event as social capital of associational life.
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    Human Rights Modernities: Practices of Luo Councils of Elders in Contemporary Western Kenya
    (University of the Western Cape, 2013) Akoth, Stephen Ouma; Becker, Heike
    This dissertation is ethnography of human rights discourse in postcolonial Kenya. It situates itself in the inexorable rise of the application of International Human Rights Law witnessed in the 21st century. For this reason, many contemporary observers refer to this period as an �era of Human Rights�. With an ethnographic account centred primarily in Luo Nyanza, western Kenya, the dissertation seeks to open up questions about the practice of Human Rights by reference not to their philosophical origin but their practical manifestations. It conceptualizes Human Rights as a discourse of ongoing conversations of �multiple realities� thus resulting to an empirical rather than ideological account of manifestations of personhoods and modernities. It is a study of the production of human rights that journeys in particular contexts and moments but conscious enough not to be circumscribed by its specific location. With this strategy, the dissertation is based on some sort of dialogue. On the one hand is a notion of Human Rights as rooted in Western enligthmenent discourse which one can describe as a Eurocentric perspective visible through the International Human Rights Instruments promulgated by the United Nations (UN) and its agencies and the other a perspective common among a section of Luo people of western Kenya visible through chike, kido and kwero that are articulated and safeguarded by Luo Councils of Elders. In suggesting the distinction between �the Western� and �the Luo� notions of personhood, the researcher is aware that both frameworks are manifestly plural and �intercivilizational� in their conceptualization
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    Performances of Muslim-ness in post-apartheid Cape Town: Authenticating cultural difference, belonging and citizenship
    (University of the Western Cape, 2017) Alhourani, Ala; Becker, Heike
    This thesis presents an ethnographic study of the resurgence of public performances of Muslim-ness and an exploration of the Muslim politics of cultural difference in the democratic, post-colonial, and liberal context of the post-apartheid South African nation-state. The central argument that underpins my approach throughout this thesis is that the post-apartheid cultural politics of 'rainbowism' has led to an enhanced and remarkable resurgence of public performance of Muslim-ness in Cape Town. This thesis posits that this resurgence has mediated a sense of belonging that is defined by the multiple allegiances of Muslims to their local cultural particularity, to the South African nation-state, and to the transnational Muslim Ummah.
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    �Performing Diversity�: Everyday social interaction among migrants from the Great Lakes Region and South Africans in Cape Town
    (University of Western Cape, 2020) Murara, Odette; Becker, Heike
    This dissertation is an exploration of everyday social interactions among and between migrants from the Great Lakes Region and South Africans, who live together as neighbours in a post-apartheid South African community. It focuses on the ways through which migrants who are diverse among themselves forge social relations with one another and with the South Africans in an urban township of lower middle class setting. It is an ethnography that interrogates the understandings of belonging and difference in concrete arenas of interaction in these two groups, and how they both mediate their diversity encounters in everyday life.
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    The invention of moffie life in Cape Town, South Africa
    (University of the Western Cape, 2018) Cloete, Allanise; Becker, Heike
    This dissertation is an ethnography of the figure of the moffie as a performance of same sex desire amongst gender non-conforming men, as it is celebrated in the 'coloured' ('coloured' is a constructed racial category, similar to 'white' and 'black' designated onto South Africans during the system of legislated racial segregation) townships of Cape Town. In this dissertation I demonstrate that the moffie is central to the lives of gender non-conforming men living in the 'coloured' townships of Cape Town. Through historical and contemporary ethnography, I show how moffie life is a representation of same sex desire amongst men that is highly visible. I reveal how moffie life is socially sanctioned through feminine self-styling, embodied through that of the gay hairdresser, annual gay beauty pageant competitions and Gay Pride events.