Magister Artium - MA (Women and Gender Studies)

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Complicating �tradition� and �modernity�: Young South African Women?s Perceptions of Lobola
(University of the Western Cape, 2021) Nduna, Nyaradzo; Lewis, Desiree
An indigenous cultural practice among the many ethnic groups of South Africa, lobola has changed immensely, especially in highly urbanised towns. It has also been the subject of several interpretations in academia, the media, and popular opinion. These have included ethnographic scholarship that focuses on its cultural significance and its centrality to reciprocal relationships between groups. Other academic and activist views criticize how lobola, as a form of bride wealth, instrumentalises women in patriarchal society. In addition, other interpretive strand acknowledges lobola's patriarchal impacts while also recognizing the agencies and choices of women who embrace it. The work demonstrates that women are neither consistent agents nor constant victims of lobola, but that they experience it in different ways. As a result, the study explores how young women�s situated knowledge helps us understand lobola�s complex and ambiguous meanings that might assist in comprehending the current connotations of lobola, which are presently complicated and confusing. The current study is concerned with mapping out and analysing the complexities of standpoint knowledge-making that is typically side-lined in the numerous scholarly and activist studies of lobola by selecting a diverse range of young women respondents as well as commentators in the public sphere.
Exploring the dualisms of 'belonging': Young women's performances of citizenship in Cape Town
(University of the Western Cape, 2016) Van Vuuren, Monique; Lewis, Desiree
My research involves a nuanced exploration of 'citizenship', through examining the liberatory potential of young women's use of social media and performance of embodied subjectivities in the post-Apartheid imaginary. By tracing expressions of self, specifically women�s highly imaginative efforts to represent what selfhood means to them and how it shapes their realities, I question conventional understandings of civic participation. The forms of communication and self-expression that many young women in Cape Town pursue are often considered apolitical, frivolous or trivial. By comprehensively exploring self-expression as a participant, I show that it is often richly but complicatedly politicized. My analysis is based on four women�s narratives and meaning-making processes, although my methodological approach involves detailed attention to my own location and interactions with participants. Guided by feminist explorations of the relevance of standpoint theorizing, I seek to understand the various visual and textual ways in which a small group of young women in Cape Town is currently making sense of their social identities, understandings of freedom and potential as social actors. I also draw on methodological work that questions the tendency, even among many feminist researchers, to reduce the knowledge of their participants to manageable data. In so doing, my aim is to try to make sense of the content and forms of young women's knowledge making on their own terms.
Gendered dynamics in South African astrophysics: A case study of the South African Astronomical Observatory
(University of the Western Cape, 2016) Bongwana, Thembelihle; Lewis, Desiree; Holbrook, Jarita
This study explores the nuances around gendered dynamics, attitudes, ideologies, values and knowledge that exist within astronomy and astrophysics institutions paying specific attention to the South African Astronomical Observatory (SAAO) as study site. This study investigated implicit and explicit ways in which SAAO spaces and practices are gendered and hierarchized, and the extent to which 'astronomy as a specific discipline within science' remains highly masculinized. By focusing on studies on power, feminist critiques of science and institutional culture in other South African sectors, especially higher education, the study deconstructs a field that has been relatively neglected in South African feminist studies of gendered institutional culture. This thesis makes use of feminist qualitative methodological approaches and fuses mixed methods to collect data. The use of participant observation enabled a broader understanding of the context and to gain an understanding of how gendered, classed and raced subjects construct and navigate social meanings in the hierarchized and symbolically marked space of the SAAO.
Migration and body politics: a study of migrant women workers in Bellville, Cape Town
(University of the Western Cape, 2015) Chireka, Kudzai; Lewis, Desiree
Migration has become very prominent in South Africa, and unlike most countries on the continent, it is an extremely prominent destinations for migrants. The country attracts migrants because there is a common perception that there are better economic opportunities, jobs and living conditions within South Africa. Countries like Zimbabwe, The Democratic Republic of Congo, Somalia, Senegal, Mozambique and Nigeria are statistically high ranking in migrants entering South Africa on a daily basis (Stats SA, 2011). Most forced migration research seeks to explain the behaviour, impact, and challenges faced by the displaced with the intention of influencing agencies and governments to develop more effective responses to address the challenges. As a case study focusing on women, gender and migration at the micro-level, this study deals with the gendered and classed experiences and struggles of women migrants working as hairdressers in street salons in Bellville, Cape Town. The study explores how women who are socially marked as �other� in terms of gender, class, space, identity and nationality navigate an environment in which social worth and belonging is constantly defined by physical appearance and the environment in which the body is physically located. Through a feminist qualitative research method, the study focuses mainly on women�s experiences through interviews and participant observation. The research is therefore deeply grounded and rooted in feminist theoretical perspective and feminist methodological approaches in order to understand women�s lives and gender roles, their body politics and working lives. One of the major findings of this study is that the lack of a gendered analysis of migration has perpetuated stereotypes about who �migrants� are, what access they can have in a foreign country, in what ways they are considered �other�, and, most importantly, how they respond to their experiences of �othering� and political marginalization. It is argued that migration has been constantly changing: many contemporary migrant women are driven by adventure, desire and spirit, and not by famine, war, spouses and poverty. This study therefore develops recommendations for future researchers and policy makers in considering gender and the dynamic changes surrounding migration.
"Passing women": gender and hybridity in the fiction of three female South African authors
(University of the Western Cape, 2012) Marais, Marcia Helena; Lewis, Desiree
A key aim of this study is to shed light on the representation of coloured women with reference to racial passing, using fictive characters depicted in Sarah Gertrude Millin�s (1924) God's Stepchildren, Zo� Wicomb's (2006) Playing in the Light, and Pat Stamat�los's (2005) Kroes, as presented by these three racially distinct female South African authors. Since I propose that literature provides a link between a subjective history and the under-represented narratives from the margins, I use literature to reimagine these. I analyse the ways in which the authors present 'hybrid' identities within their characters in different ways, and provide an explanation and contextual basis for the exploration of the theme of 'passing for and as white' within South Africa's complex history. I provide a sociological explanation of the act of racial passing in South Africa with reference to the United States by incorporating Nella Larsen's (1929) Passing. Since the analyses will concentrate on coloured females within the texts, gendered identity and female sexuality and stereotypes will be the focus. I look at the act and agent of passing, the role of raced and gendered performance in giving meaning to social identities, and the way in which the female body is constructed in racial terms in order to confer identity. Tracing the historical origins of coloured identity and coloured female identity, I interrogate this colonial, post-colonial, apartheid and post-apartheid history by employing a feminist lens. A combination of postcolonial feminist discourse analysis, sociological inquiry and feminist narrative analysis are therefore the methods I use to achieve my research aims. Chapter 1: The concepts of 'coloured', 'coloured identity', and 'passing' are introduced. I provide a historical overview of the origins of 'colouredness' in the South African context to examine the historical, ideological and social implications of the subject matter under discussion. Chapter 2: Set over a period between the years 1821 to 1921 God's Stepchildren deals with a family spanning four generations, bound by 'tainted' blood. I focus on the character Elmira who represents the third generation of the initial 'miscegenation'. I look at the effect the racist social milieu has on the author�s representation of coloured women and how this translates into apparently insurmountable beliefs that stereotypes equal nature. Chapter 3: Playing in the Light confronts racial passing through an unwitting passer and her intentionally passing parents. I analyse how Wicomb presents the protagonist's struggle to relocate her identity in contemporary South African society. I compare the attitudes toward race presented by the characters, especially across the two generations of passing women in the novel in order to demonstrate a progression in attitudes toward passing. Chapter 4: Kroes, published in 2005, is partially biographical. The novel is set in urban Cape Town and Johannesburg of the late 1950s to 1970. The protagonist, and central passing figure, narrates the story in the first person using Cape vernacular Afrikaans. I look at the way in which women are influenced by internalised inferiority, and how arbitrary skin pigmentation is deemed to decide their fate. Chapter 5: I draw together the common themes found in the three works of fiction, and draw inferences from my findings about the representation of coloured women.
"War in the home'' marriage and mediation among the Gurage in Ethiopia
(University of the Western Cape, 2011) Hussen, Tigist Shewarega; Lewis, Desiree
Ethiopian ethnic groups exhibit highly autochthonous cultural norms and values that are embedded in their traditional beliefs, systems, and religions. This study shows how, at the grassroots level, the Gurage ethnic group in Ethiopia, uses culturally legitimate forms of conflict resolution practices to mobilize and reinforce gender hierarchies, and how the discourses of culture, custom, tradition, social stability and cohesion are connected to gendered power relations. The study provides an analysis of how discourses of culture in African contexts influence, and become a compelling framework for both men and women to define themselves in institutions of marriage, and in related practices of conflict resolution and mediation.Drawing on a rich body of Southern African theory and analysis and by deploying it in relation to marriage in the Ethiopian context, the research shows that customary practices of conflict resolution have been one of the central Ethiopian definitions of authentic culture. Ethiopia, unlike the rest of Africa, reveals many complexities in exploring popular mechanisms and institutions that are very convincingly ''pre-colonial''. At present, these are manifested through cynicism towards western culture, reluctance to readily embrace it, and an accentuated sense of national pride shaped through the struggle against hovering ethnocentricism, imperialism and neo-imperialism. The research explores the dynamics of power that influence married couples' decisions about where and how they should resolve their martial disputes, and in selecting between the formal justice system and customary mediating mechanism. First-hand information was gathered from women and customary leaders, via participatory methodologies, and the data served as input to explain why and how discourses of culture are being mobilized so powerfully to reinforce gender hierarchies in Ethiopia. The research findings evidently show how ''culture'' is ''made real'' and authentic for Ethiopians, particularly for members of the Gurage ethnic group, through the dealings of popular cultural practices: the resolution of marital conflicts. I argue that marital conflict resolution in Gurage is an elaborate practice that validates patriarchal agenda, overseen by male elders, to regulate problems within individual marriages. The research problematised the recognition of ''customary practice'' in the Constitution as alternative systems by presenting the limited rights Gurage women have as opposed to the ''freedom of choice'' that is granted in the Constitution. The case reveals the difficulty of having two laws that have different understanding of human rights.
Women's negotiation of alternative sexualities in the Western Cape: A Cape Town case study
(University of the Western Cape, 2012) Mitchell, Sharrone CJ; Lewis, Desiree
This mini thesis is an exploratory study of the lived experiences of bisexual and lesbian women in the Western Cape with regard to how they claim agency and negotiate their individual sexualities. Using mixed methodologies this study aims to look at the ways in which bisexual and lesbian women negotiate their sexuality in a landscape dominated by heterosexual discourses. Also considered are the contradictory ways in which these women assert their roles as lesbians and bisexual individuals and how these roles serve to simultaneously reinforce and challenge the dominant order of heterosexuality. The conflicting views of the respondents are documented which further demonstrates the complexities surrounding sexuality. This research identifies and explores both international and local research already conducted on alternative sexualities and address the lack of black researchers' conduct of these studies on the African continent. The study also records an acknowledgement of the researcher's reflection that she too holds contradictory views on some of these issues.

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