Esther Mahlangu and the curatorial
| dc.contributor.author | Bester, Rory | |
| dc.contributor.author | Ntombela, Nontobeko | |
| dc.date.accessioned | 2026-04-21T09:08:05Z | |
| dc.date.available | 2026-04-21T09:08:05Z | |
| dc.date.issued | 2024 | |
| dc.description.abstract | Taking the form of a conversation about curatorial complexity and focusing on the Esther Mahlangu exhibition at the Iziko South African National Gallery, this article explores curatorial listening, the retrospective exhibition form, exhibition titles, curatorial storytelling, modernities and being present in the world, exhibition histories, and timelines. | |
| dc.identifier.citation | Bester, R. and Ntombela, N., 2025. Esther Mahlangu and the Curatorial. de arte, pp.1-14. | |
| dc.identifier.uri | https://doi.org/10.1080/00043389 | |
| dc.identifier.uri | https://hdl.handle.net/10566/22252 | |
| dc.language.iso | en | |
| dc.publisher | Taylor and Francis Ltd | |
| dc.subject | Curatorial listening | |
| dc.subject | Curatorial storytelling | |
| dc.subject | Esther Mahlangu | |
| dc.subject | Exhibition histories | |
| dc.subject | Retrospective exhibitions | |
| dc.title | Esther Mahlangu and the curatorial | |
| dc.type | Article |