The politics of production of archaeological knowledge :a case study of the later stone age rock art paintings of Kasam, Northern Zambia

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dc.contributor.advisorWitz, Leslie
dc.contributor.authorLishiko, Billiard Berbbingtone
dc.contributor.otherDept. of History
dc.contributor.otherFaculty of Arts
dc.date.accessioned2013-06-14T06:54:12Z
dc.date.accessioned2024-03-26T06:48:43Z
dc.date.available2007/04/16 14:07
dc.date.available2007/04/16
dc.date.available2013-06-14T06:54:12Z
dc.date.available2024-03-26T06:48:43Z
dc.date.issued2004
dc.descriptionMagister Artium - MAen_US
dc.description.abstractThe main purpose of this study was to investigate and examined the politics in the production of archaeological knowledge especially in rock art, at academic, heritage institutions and national and global level. It aims to trace and examine the development and movement of particular hypotheses or interpretations and their appropriateness in the study and management of rock art heritage in southern Africa.en_US
dc.identifier.urihttps://hdl.handle.net/10566/9714
dc.language.isoenen_US
dc.publisherUniversity of the Western Capeen_US
dc.rights.holderUniversity of the Western Capeen_US
dc.subjectRock paintingsen_US
dc.subjectZambiaen_US
dc.subjectKasamen_US
dc.subjectPetroglyphsen_US
dc.subjectKasam Kasam (Zambia)en_US
dc.subjectAntiquitiesen_US
dc.titleThe politics of production of archaeological knowledge :a case study of the later stone age rock art paintings of Kasam, Northern Zambiaen_US
dc.typeThesisen_US

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