Martin, Julia01/06/201701/06/20172013Martin, J. (2013). Witness to the makeshift shore: Ecological practice in a Littoral Zone. Alternation: Interdisciplinary Journal for the Study of the Arts and Humanities in Southern Africa, 20(6): 144-1561023-1757https://hdl.handle.net/10566/2913This essay suggests that Douglas Livingstone's long poem 'A Littoral Zone' (1991), an explicit conversation between his work as an environmental scientist and his work as a poet, makes for a poetic statement that is, in various senses of the word, ecological. The sequence of poems draws extensively on scientific research in the field of bacteriology, is minutely located in 'place', evokes a secular sacramentalism in its representation of ecological interconnectedness, and situates the present moment in the context of deep time. In all, Livingstone's distinctive stance involves a tough, tender negotiation between irony, equanimity, wonder, and a sense of critical environmental urgency. Read twenty years later, his view of the South Coast littoral and of the world in which it is situated, seems prescient.enAlternation: Interdisciplinary Journal for the Study of the Arts and Humanities in Southern Africa is an Open Access journal which means that all content is freely available without charge to the user or his/ her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of Open Access.Douglas LivingstoneEco-criticismSecular sacramentalismInterconnectednessDeep timeArticle