Der Aspekt der Einf�hlungs�sthetik in Andr� Brinks The Other Side of Silence

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dc.contributor.authorRath, Luisa
dc.date.accessioned25/04/2016 17:15
dc.date.available25/04/2016 17:15
dc.date.issued2014
dc.description.abstractThere are many opinions about what constitutes a postcolonial novel. The act of representation is part of this controversy: which voices should be represented by the narrator and which should remain silent? This aspect of aesthetic empathy is widely discussed by postcolonial theorists. Andre Brink's narrative The Other Side of Silence, which deals with the German colonial period in what is now Namibia and the fate of the female protagonist Hanna X, employs a special use of different narrating voices, a combination of archival documents and fiction and an overt critique of colonialism. This paper analyses the peculiarities of this narrative by taking account of the critical voices against Brink's fiction.en_US
dc.description.accreditationDHETen_US
dc.identifier.citationRath, L. (2014). Der Aspekt der Einfahlungsasthetik in Andre Brink's The Other Side of Silence. Acta Germanica, 42: 120-130en_US
dc.identifier.issn0065-1273
dc.identifier.urihttps://hdl.handle.net/10566/2142
dc.identifier.urihttp://reference.sabinet.co.za/webx/access/electronic_journals/german/german_v42_a10.pdf
dc.language.isoen
dc.privacy.showsubmitterFALSE
dc.publisherPeter Langen_US
dc.source.urihttp://reference.sabinet.co.za/webx/access/electronic_journals/german/german_v42_a10.pdf
dc.status.ispeerreviewedTRUE
dc.subjectAndr� Brink
dc.subjectPostcolonial novel
dc.subjectPostcolonial theory
dc.titleDer Aspekt der Einf�hlungs�sthetik in Andr� Brinks The Other Side of Silence
dc.typeArticle

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